Thursday, September 15th, 2011
Maybe the first thing I noticed about The Secret History of Costaguana is the conversational tone its narrator, José Altamirano, adopts -- as he is telling his story, he is chatting with the reader about his narrative choices, editorializing, debating whether he should continue on one thread or backtrack... And it seems like this might be Vásquez' natural style, based on the Author's Note at the back of the volume. He may have gotten the idea for the book, he tells us, from his first reading of Conrad's Nostromo, in '98; or perhaps it was in 2003, when he was working on a biography of Conrad; or... This playful, second-guessing narrative style works very nicely for a historical novel that is constantly calling into question the history and the versions of history which form its fabric. The reader cannot trust the narrator -- the narrator tells the reader up front not to trust him -- and cannot trust the narrative of history.
posted evening of September 15th, 2011: Respond
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